Since its inception, the Alvin Ailey American Dance Theater has become a staple in popular culture, while using the art of modern dance to unite people from all walks of life. In celebration of its ...
Add Yahoo as a preferred source to see more of our stories on Google. Alvin Ailey American Dance Theater's Constance Stamatiou in Alvin Ailey's "Revelations." (Courtesy of Christopher Duggan) It's a ...
Add Yahoo as a preferred source to see more of our stories on Google. Alvin Ailey American Dance Theater's Renaldo Maurice, Constance Stamatiou and Jacquelin Harris in Alvin Ailey's "Revelations." ...
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Last week, for only the fourth time in its nearly 70-year history, the Alvin Ailey American Dance Theater company began its new season under the leadership of a different Artistic Director: Alicia ...
NEW YORK (WABC) -- The Alvin Ailey American Dance Theater is tapping Alicia Graf Mack as its next Artistic Director, the company announced Thursday. Starting July 1, 2025, Graf Mack will serve as the ...
Renowned choreographer Alvin Ailey established the Alvin Ailey American Dance Theater in 1958. Renowned choreographer Alvin Ailey established the Alvin Ailey American Dance Theater in 1958. The Alvin ...
Before his death in 1989 at the age of 58, choreographer and modern-dance giant Alvin Ailey accomplished many groundbreaking, boundary-busting things. He helped establish modern dance as a popular art ...
HELL'S KITCHEN, Manhattan (WABC) -- Eyewitness News got a behind-the-scenes look at rehearsals for the Alvin Ailey American Dance Theater's upcoming holiday season. The company is preparing for ...
Performances in N.Y.C. Critic’s Notebook Battle, the artistic director who brought Alvin Ailey American Dance Theater into a new century, resigned just before the company’s new City Center season.
NEW YORK — Judith Jamison, an internationally acclaimed dancer who later served as artistic director of the Alvin Ailey American Dance Theater for two decades, has died. She was 81. Jamison died at a ...
Maija García’s “Jazz Island” is a full-company narrative of a kind that Ailey hasn’t done in a while. And it features an Afro-Caribbean score by Etienne Charles. By Brian Seibert It can feel ...
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