In 2014’s My Golden Days, Arnaud Desplechin revisited the childhood of Ivan Dedalus, brother of the anchoring protagonist of his 1996 breakthrough My Sex Life… or How I Got Into an Argument. With ...

PARIS — Magnolia has acquired all U.S. rights to Arnaud Desplechin’s “Ismael’s Ghosts” with Marion Cotillard, Charlotte Gainsbourg, Mathieu Amalric and Louis Garrel, Variety has learned. Sold by Wild ...

Arnaud Desplechin’s A Christmas Tale, one of the year’s best, opens this Friday in limited release. While Desplechin was in town on the occasion of the film’s U.S. debut at the New York Film Festival, ...

Add Yahoo as a preferred source to see more of our stories on Google. EXCLUSIVE: Former Concourse executive Grant Mohrman has launched U.S. sales and production firm Gravel Lake Entertainment with ...

French filmmaker Arnaud Desplechin’s “My Golden Days” is both a prequel and a sequel to his 1996 film “My Sex Life … Or How I Got Into an Argument.” Though there are elements of the two films that don ...

[indieWIRE’s weekly reviews are written by critics from Reverse Shot.] Upon a second viewing, it all became so damn clear: “Kings and Queen” is indeed something to be astonished by. I originally ...

Arnaud Desplechin may be regarded as one of France's quintessential auteurs, but American cinema has long been a guiding force in his imagination. His affecting melodrama "Two Pianos," which had its U ...

With My Golden Days now playing in limited release, I recently sat down with veteran French filmmaker Arnaud Desplechin, who has written and directed a vibrant follow-up to his 1996 My Sex Life…or How ...

The revered film director vowed never to touch theatre. So why is he staging the great Aids epic Angels in America? Apparently, it’s all a misunderstanding Arnaud Desplechin looks surprisingly calm as ...

Arnaud Desplechin’s “My Golden Days,” which played at the New York Film Festival last fall and opened in regular run last Friday, is a terrible disappointment, the work of a filmmaker who’s not ...

Léa Seydoux lends forceful presence to an adaptation of the American author's skewed self-portrait that raises some provocative possibilities, and shies away from others. You have to feel for Léa ...