Inspired by Sam Raimi's latest, we analyze what makes being marooned on a desert island so cinematic in the first place.

The inherent violence of captured images has been exhaustively analyzed over the past century, from Barthes to Sontag, and yet the terrain of critical theory rarely crosses over into cinematic praxis.

From a solitary photographer capturing desert rock formations to abandoned movie theaters housing unexpected evils, Joshua Erkman’s directorial debut “A Desert” is consistently preoccupied with images ...

"Am I pretty?" Kani Releasing has debuted an official US trailer for a Japanese indie film titled Desert of Namibia, the second feature made by young Japanese filmmaker Yoko Yamanaka. This first ...

Throughout human history, music has served as a medium connecting humans and the divine. It has always been present during ...

Paris-based sales company Loco Films has picked up world rights to Sebastian Parra R’s Colombian low-fi sci-fi thriller “Seed of the Desert” (“Semilla del Desierto”), premiering in competition at this ...

Britain's Leader of the Opposition, Kemi Badenoch, would take the first 22 Marvel movies, Iron Man to Avengers: Endgame to a ...

Joshua Erkman tells IndieWire about how his decades of film restoration and preservation work led to his directorial debut about the people who give everything to the craft of image-making. The film, ...