Back To One can be found wherever you get your podcasts, including Apple Podcasts, Google Play, and Spotify. And if you’re ...

For the first time since 2002’s Punch-Drunk Love, Paul Thomas Anderson has made a movie with a contemporary setting. To do so ...

Surprise victories for Hamnet, The Secret Agent, and If I Had Legs I’d Kick You scrambled the race—in a good way.

Carolyn Michelle is an actress, producer, educator, and entrepreneur. Her credits include: Brilliant Minds, And Just Like ...

In 2017, for the 25th anniversary of Filmmaker, we commissioned a radical redesign and also initiated a new upfront section: ...

When I realized I’d be laid off (via: restructuring) from the publication I’ve worked at for 11+ years, I went back through ...

The Big Sky Documentary Film Festival announces the lineup for its 23rd annual incarnation today, and Filmmaker has an ...

This is what Big Art/Little Debt/Together points toward now: not rugged individualism but collective human sovereignty. Building the conditions for your artistic life — with others. Knowing exactly ...

As 2025 unfolded, returning to the ritual of asking filmmakers about the films that moved them feels both fragile and necessary. This exercise appears days after yet another grotesque display ...

When 28 Days Later arrived on screens in 2002, it marked a leap forward for both zombie movies and digital cinema. Eschewing the shambling undead of George Romero, the film’s infected sprinted after ...

Telluride is not on my annual festival calendar—too distant, too costly—and rarely I’m at Toronto, only with a film. So as a New Yorker, my personal fall awards season kicks off with the New York Film ...