“Michael Flatley’s Lord of the Dance,” the international hit Irish dance show created by one of the original stars of “Riverdance,” filled stadiums in Connecticut for several tours in the 1990s and ...

Performances in N.Y.C. Advertisement Supported by Grete Wiesenthal, a ballet-trained Viennese dancer, made the waltz modern and a vehicle for solo expression. By Meryl Cates Waltzing can go on for ...

When Maria Caruso returned to her dance studio Bodiography on Sunday after a month away in Brazil, she played a recording of Jeff Buckley’s “Hallelujah.” It’s the song she’s been rehearsing for a solo ...

This article originally appeared on DanceMagazine.com. Dance on Broadway is usually more about ensemble work than stealing the singular spotlight. That’s true for most of “The Cher Show,” with ...

Procession” by Bobbi Jene Smith and Or Schraiber is part of Hope Muir’s quest to keep the National Ballet on the cutting edge of dance.

FOR JACK MACKIE, life is better when we’re dancing. It’s “a cultural imperative.” He’s no professional hoofer. Grinning, he insists, “I’m just a bad shower dancer.” But get the wiry artist along ...