The 'Sex and the City' writer-director and 'AJLT' showrunner explains to THR why he chose to end the beloved franchise (even though everyone's still talking about it).

While And Just Like That has been criticized for its tone and poor writing (one secondary character was seemingly killed off twice), it managed to give Carrie Bradshaw an ending that captured the daring admission of the original: that being lucky in love is good, but being lucky in friendship is everything.

And Just Like That…” Carrie Bradshaw’s latest saga ended exactly as showrunner Michael Patrick King intended, he tells TheWrap

After a season that wasted potential and time, the final episode of HBO Max's 'Sex and the City' sequel series forced our heroine to image a future without male companionship. Yawn.

Here, co-creator Michael Patrick King reflects on the comedy’s final season, why Miranda was required to literally shovel shit, and whether another movie is in the cards for Carrie and her clan.

"And Just Like That..." has always been incomprehensible yet immensely watchable. But the "Sex and the City" sequel finale can't stick the landing.

Carrie Bradshaw’s future, after the “And Just Like That” finale, is up to interpretation. In a spoiler-free review, one writer whose life paralleled Carrie’s shares her hopes for her parasocial friend.

The HBO Max reboot of “Sex and the City” may have divided audiences, but it kept pushing New York fashion into bold, sometimes absurd territory.